菊池寛実記念智美術館Kikuchi Kanjitsu Memorial Tomo Museum
An art museum opened in 2003 that showcases contemporary craft works. The exhibition space and architectural design are also highlights. Closed until autumn 2026 for exhibition room repairs.
- Japan, 〒105-0001 Tokyo, Minato City, Toranomon, 4 Chome−1−35 智美術館 1階 西久保ビル
- +81 3-5733-5131
- musee-tomo.or.jp
Google reviews
Visitor reviews on Google Maps
Even though this museum in the middle of Tokyo, disgrace is unbelievably calm and quiet. If you like or interested in pottery, you will appreciate does batteries beauty from front to back. Attached restaurant is very popular. You need to make reservation. The food is wonderful. You can enjoy the Japanese garden from the restaurant.
View on GoogleLovely ceramic focused museum, picture friendly, beautiful artwork surrounding decoration. Sodeisha group exhibition was outstanding. Cafe with garden view is also lovely
View on GoogleThe Kikuchi Kanjitsu Memorial Museum in Kamiyacho displays the collection of Tomo Kikuchi, one of Japan's leading contemporary ceramic collectors.The museum features an attractive exhibition space.The museum was designed by Richard Molinaroli, an exhibition designer who worked exclusively for the Smithsonian's Museum of Natural History, and visitors can enjoy an extraordinary space in Kamiyacho, surrounded by buildings.The museum has a café where visitors can enjoy a meal while admiring the beautiful garden.I recommend for use when visiting the museum.
View on GoogleExpensive for a small museum, but absolutely worth it! This is the most exquisitely curated art space I have ever seen. The interior design itself is a work of art, sheer curtains catching rays of light, concealing and revealing the demurely lit pieces on pedestals. The setting would elevate any art work, but they truly display marvels. The bamboo art exhibition I saw was breathtaking. No photos are allowed in the exhibition, but there is a massive modern bamboo art sculpture twirling in the staircase like a hurricane.
View on GoogleGlass Handrail, 2003 by Naoto Yokoyama Naoto Yokoyama's artistic evolution since the early 1980s signifies a significant departure from the minimalist aesthetic that characterized his earlier career. Embracing a more humorous style, he now employs colored glass in increasingly extravagant ways. This shift in approach draws inspiration from contemporary trends in Italian design, reflecting a bold and innovative direction in his work.
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